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ANGELS IN AMERICA (National Tour) 

- “Kate Goehring is the best Harper yet.” USA Today

- “Goehring’s final benediction is pure music.” Chicago Sun-Times

- “Kate Goehring is particularly good as Harper Pitt.” Variety

- “The cumulative excellence of Mayer’s staging consists of Goehring’s life-force Harper; Johnson’s craggy Joe; Birkenhead’s self-tortured Louis; Flowers’ tough-loving Belize; Robertson’s noble Mormon mother; Caronly Swift’s wisely human Angel; and, most unforgettable, Hadary’s junkyard dog of a Roy Cohn.” Windy City Times

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UNDERNEATH THE LINTEL

 

“To say all of this is in the hands of one actress is a staggering proposition, but in the hands of Goehring, the journey is joyous, determined, heartbreaking, humorous, at times angry, and, ultimately, satisfying. Watching Goehring embrace every inch of the stage underscores how brilliantly she and Lane, with only a few props, a stunning script, and acute timing, can present a complicated script that resonates with great satisfaction for the audience... — precisely what the arts, at their best, are meant to do.” Journal Now

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EXPERIMENT WITH AN AIR PUMP

 

“The most remarkable performance comes from Kate Goehring, who plays the Fenwik's Scottish maid, Isobel. Isobel suffers from scoliosis and has a dour personality, yet she must light up the stage with a  secret smile. The role is the play's tragic center, yet Isobel gets most of the best laughs. Ms. Goehring sails through magnificently.” Dallas Morning News

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 CARRIE: A PERIOD PIECE  

 

“An eye-popping, rib-tickling comic horror ride that gives the terrific Kate Goehring a chance to shine.” The New York Sun

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CANDIDA 

 

“It is that brilliant comedian, Kate Goehring, who brightens, sharpens and energizes the show…” The Chicago Sun-Times

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WIT

 

- “Nobody does it better than Kate Goehring.” Triangle Arts

- “The sniffling began about three-quarters of the way through, as some audience members lost the struggle to hold back their tears. I was among them, even though I’ve seen the play before…The remarkable Kate Goehring embodies the role fully, conveying Vivian’s pride at the outset and later her increasing vulnerability. It’s heartbreaking to watch, and that is entirely due to Goehring’s skill as an actress.” Winston-Salem Journal

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LAUGHING WILD

“A bravura, mind-bending performance.” The Chicago Sun-Times

“But it is Goehring (who earlier this season was so superb in “the Film Society”) who takes your breath away. Imagine comic timing that imitates a clock ticking backward and to a syncopated beat, while the mind races forward at some unclocked velocity, and you have a hint of what her performance is all about. But you really must see it to believe it.” The Chicago Sun-Times

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MACHINAL

“The Rep's production of 'Machinal' truly shines. In the pivotal role of Helen, Kate Goehring delivers a performance that is disarming in its simplicity. ...Goehring's subtle physicality conveys the character's crushing anxiety more effectively than an hour's  worth of dialogue.” 

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THE CLEAN HOUSE

 

“Kate Goehring's Virginia is at once heartbreaking and hysterical.” Tucscon Weekly

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THE BLONDE, THE BRUNETTE, AND THE VENGEFUL REDHEAD

 

- "Goehring’s gritty characterizations slip smoothly beneath the skin of seven comfortable suburban lives that will never by the same.” CVNC

- "A tremendous performance by one very talented actress. Recommended!" Engleswan Spot

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HEARTBREAK HOUSE

 

"Kate Goehring is spirited and a dash melancholy as Mrs. Hushabye." Talkin' Broadway

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LOST IN YONKERS

 

- “When Goehring as the simple though animated and sweet-natured Aunt Bella faces her mother, we care in a way you are or someone you have grown to know well, a rarity in a comedy.” KBAQ

- “A touching and heartbreaking performance.” Arizona Weekly

 

- “No less perfect is Goehring's fragile, flighty and thoughtful Bella. KBEZ

 

- “These three, plus a deeply moving and hysterically charming Kate Goehring as Aunt Bella, carry the show…Wherever you are, go see it!” TicketMaster

- “Goehring’s Bella is a whirlwind of enthusiasm and misinformation…crazily balletic and achingly palpable.” Tucson Weekly

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THE GLASS MENAGERIE 

 

- “Kate Goehring has perfect pitch...heartbreakingly wistful. There’s a dramatic chasm between sugary sweet and domineering, and Goehring nimbly walks that tightrope like the pro she is.” Voice of North Carolina

 

- “...Goehring's Amanda avoids the stereotypes...deliberately presents us with a smaller and more human-sized tragedy...The strongest and most memorable theater—and film—experience I've ever had.” Indy Week

 

- “Goehring's Amanda is sympathetic and surprisingly humorous. ... The family feels so real that the audience holds its collective breath....” Triangle Arts and Entertainment 

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SAINT JOAN

 

“So effective that applause spontaneously erupted… As several characters stated at the beginning of the play, ‘There’s something about that girl.’ …Fans of Goehring, and I know there are more than a few, will be thrilled to see her take on the role.” Midwest Times

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KING JOHN 

 

"Goehring does justice to one of the shrewdest women in English history.” MD Theatre Guide

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PRIMATING

 

“I do confess that I was a little star struck by Kate Goehring…The moment she stepped out on stage, she had powerful energy emitting off of her. You knew she meant business.” BroadwayWorld

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